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Miami Vice at the halfway point

Philosophy without God: Dark City - the original and director's cut

A quarter-century ago, I used to go the movies quite frequently.  I was one of those people who watched the trailers to see what was coming out soon rather than just enduring them.

I recall quite clearly that the trailer for Dark City immediately caught my attention and when I came out, I loved the film, bought the soundtrack and eventually the DVD.

I'd classify the film as sci-fi noir, a somewhat niche category it shares with Blade Runner.

I did not know there was a 'director's cut' available, and found out only by chance.  A friend of mine bought one of the many DVD compilation sets flooding the market.

I have to say that this is one of the few good things about the present age: buying movies has never been cheaper.  Not only that, they come in very compact packaging, easing storage. 

There's a strange paradox at work, too.  If you buy the single movie you really want, it will cost around $30.  If you a two-disc combo, $15.  Three discs might be even less.

True, you might get some stinkers mixed in, but you're still saving money by purchasing the collection and - as long-time readers may have noticed, I'm seeing films that I never would have bought on their own.

Anyhow, the new version if Dark City is better.  Not a lot better, but better all the same.  It dispenses with the intro voiceover which acts as a spoiler and there are some subtle changes elsewhere.  I guess the special effects were upgraded and - though I can't find proof of this - I think it uses Jennifer Connelly's own voice during the night club scenes rather than dubbing another artist.  I say this because I've listened to the soundtrack version frequently as part of a mix I use while painting miniatures, and that is not the same voice.

Something that I missed at the time but now stands out glaringly is the lack of God in the film.  I'm noticing that more and more these days.  Religion has always been something of a blind spot (if not an object of hate) for Hollywood and Dark City's musings on what it is to have a soul and how much it can be manipulated by false memories ignores the spirit realm entirely.

This is interesting because it has the same director as The Crow, which is of course a profoundly Catholic movie.   Then again, I've also noticed that lots of religious references and themes seem to happen by accident.

As the Lord of Spirits podcast likes to joke, our 19th Century German friends have a lot to answer for in terms of corrupting religion and the world in general.  For all of human history to that point, people accepted that the supernatural was real and that people had distinct spiritual needs.  The rise of the hyper-rational school of philosophy not only broke this relationship, it left us too blind to appreciate it.

Whenever something miraculous happens, the immediate Western response (even among religious people!) is to try to find "a rational explanation."  It's not just blindness, it's intentional blindness, and it takes years to unlearn that habit.  I'm trying to teach my kids to see the world outside of secular "logical" lenses, but it is pervasive in the culture.

Dark City is still a great movie, wonderful soundtrack and mood, compelling performances and the late Roger Ebert loved it so much he did a full commentary track on it. 

I'm not a huge fan of his work, but the guy had considerable influence in critical circles, and it's unusual for a critic to become that much of a fanboy, so it speaks well of the film.

Unlike Blade Runner, I think both cuts work.  I will give the nod to the director's version but I'm not into it enough to pay for it.

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