Chateau Lloyd

One of our commenters made a mention of a 1964 BBC adaptation of Ford Madox Ford's Parade's End book series (which has three or four books, depending on how one feels about it).

A careful internet search revealed that such a thing did exist and that a DVD was produced not long ago.  I picked one up on ebay for less than $7 (including shipping), which tells you it was not much of a commercial success.

I've touched on the books before (including a lengthy comparison with Evelyn Waugh's Sword of Honour trilogy), and so this review is more of a discussion of the content and quality of the adaptation than a discussion of what's in it.

In terms of the packaging, it's a slapdash production, made in Mexico and featuring generic "wartime" graphics that are actually from World War II and completely inappropriate.

The quality of the transfer is better than I expected, but still flawed.  The audio is particularly challenging, no doubt a function of its minimal production quality.  There seems to be a single microphone on the set, close to the camera, and as characters move farther back, it becomes difficult to hear them.  There is also some distortion rising to static, which gives the sense of actually watching a broadcast with some mild atmospheric interference.  I kept wanting to adjust the rabbit ears.

As to the cast, it's excellent.  This was apparently a breakthrough role for Judi Densch, who is very good as Valentine Wannop.  I didn't recognize anyone else in the cast, but they were all solid in the various roles.

Unlike the HBO production, this gives much more prominence to Christopher Tietjens' time in the trenches, which I liked.  Alas, the BBC also did some bizarre graphics, both for the title credits and also to segue into battle which are dated and cringe-worthy.

While I enjoyed it, I can't say as I would recommend it.  If it were cleaned up and properly restored (especially the audio), that would make a big difference.  As it is, Ford fans will enjoy it, but I can see why they're practically giving these away.

Given my interests, one would think that I am a huge fan of C.S. Lewis.  While I do admire some of his religious writings and particularly enjoyed The Screwtape Letters, I find his work a little too heavy on the allegory.  Like his friend J.R.R. Tolkien, I didn't approve of him mixing mythologies in the Narnia books.  Moreover, I came upon them late in life, and while the kids enjoyed them, I did not get much out of them.

However, I had heard good things about this "space" trilogy, which is a someone curious body of work.  It was written during the Second World War and could credibly be counted as "hard" science fiction in terms of how it explains space travel (which is confined to our solar system).  It is quite inventive and combines spiritual concepts in an interesting way.

That being said, it is not a conventional trilogy insofar as the plot only somewhat builds during the series.  Most trilogies (this includes my Man of Destiny series, which started out as a trilogy) are basically a story arc spread out over multiple episodes or periods.  The "space" books differ greatly in tone and character, and in the author's forwards (and sometimes in the epilogues) this is explained.

All of which is to say, there are good points to the books, but to me there is a fatal flaw that finally brought my reading to a halt, and that is the excessive use of allegory.

Tolkien himself was a sharp critic of using this method of storytelling, and made a point of separating stories that were applicable to other areas from ones that were simply extended metaphors for making a point.  The latter is what the "space" books are.

The first book is the worst in this respect.  Out of the Silent Planet features three remarkably thin characters who are really nothing more than placeholders for points of view.  There is vivid description, lengthy discussions, and not much else of interest.  Lewis loves language, and major part of the book discusses how other life forms would utilize it.  At the end is a note promising the next book will be less heavy-handed.

It isn't.  Like the first book, Perelandra had a remarkably inventive setting (the first book was on Mars while this one is set on Venus) but apart from an attempt at better narrative framing, it is mostly description and long-winded philosophical discussions.

That Hideous Strength concludes the series but can also be read by itself.  Maybe that's what I should have done, because by now my tolerance for symbolism was non-existent.  I'm about 100 pages into it and have completely lost interest.  None of the characters feel in any way real - they are all archetypes placed in the story to make a political, philosophical or religious point.

Of course it is possible to do this while retaining vibrant and fascinating characters.  Tolkien certainly did it, as did Evelyn Waugh.  Indeed, the strength of Waugh's writing is that it feels like a real story and the sense of meaning and purpose only gradually makes its presence known.

That Hideous Strength is basically a Nineteen Eighty-Four style tale written in a much more elaborate way.  Indeed, George Orwell was one of the few writers who did allegory well, and his secret was he kept it brief.   Animal Farm is a very quick read, and while Nineteen Eighty-Four is more detailed, the doomed romance keeps it interesting.

Yesterday I reached the breaking point.  It was the perfect time for a good book, and yet after reading only a few words of That Hideous Strength I had to set it down.  Instead I reached for a Joseph Conrad anthology and started reading The Shadow Line, which actually held my attention.

I suppose I could soldier on and at least skip and skim my way through the remainder of That Hideous Strength, but I feel that's dishonest.  Since I'm not required to do a paper on it, I'm going to simply stop reading and perhaps at some later date I will decide to pick it up again.

My column on Ben Hur at Bleedingfool.com kicked off a modest debate in the comments.  What started as a discussion of the film has now turned into a debate about faith itself.

I'm not interested in litigating my side over here, but the course of the conversation is worth a closer look.

I'm sure most people of faith at some point will encounter an "evangelical atheist."  These people don't believe in God and they don't want anyone else to, either.  Marx had a big hand in creating these creatures, and while they deserve compassion, history has shown they can also be very destructive.

While it is unlikely that we will encounter the next Pol Pot at the bookstore or in an online comment thread, I think it is important that we understand where they are coming from.

In my area, a great many were raised by strictly religious parents and their unbelief is a form of rebellion.  "I refused to be brainwashed into your cult!" is their battle cry.  Others had faith, but for some reason lost it.  Again, the stories tend to have many points in common, but each one is unique. 

Just as converts often tend to be the most fervent believers, apostates are often the Church's worst enemies.  On the psychological level, we can explain this by noting that the same strength of will that can sustain a voluntary life-change can also give it enormous power and zeal.

But if we look spiritually, we a different dynamic.  Converts to the faith are trying to share something wonderful and new to them, something that they had overlooked before. 

The evangelical atheist, by contrast, has nothing new to share, no gift other than envy and despair.

In the last couple of weeks I came across one who explained that there was no God, and that people should just enjoy life knowing that they were going to die and that would be that.  The person insisted that he was perfectly fulfilled, thank you, but that did not explain why he went on a religious forum to spread this message.

I have been seeing this all my adult life.  Again, the reasons vary, but the actions have the same dull similarity.  The most virulent form of this are the ones who want to outlaw all religious practice in the US military.  And that is what gives the game away.

The old secular materialist explanation was that misery loves company, and having had their faith shattered or never being able to find it, these folks seethe with envy and anger when they see smiling religious people find meaning and purpose in their lives.  It's especially obvious when they go out of their way to hinder them - like going to an online religious discussion to spread their message.

But if we use the Spiritual Warfare lens, what we see is something different.  These people have declared themselves against God and therefore any hint of His presence is a threat to them.  That is why they want churches closed, and seek to undermine the faith of others.  They are allied with demons, but too blind to see it.

Such creatures regularly appear in the writings of Evelyn Waugh, C.S. Lewis and G.K. Chesterton, which shows how far back this particular strain of Spiritual Warfare goes.  Indeed, one of the Enemy's most successful tactics has been creating an artificial tension between faith and science.  Yet there is none.  Faith without reason is merely foolish while science without faith is diabolical.

Perhaps the most poignant part of the Ben Hur exchange with the commenter's refusal to even accept the possibility of miracles.  Given that the oldest writings we have confirm their existence - indeed there is an evidentiary chain leading to the present day - this is perhaps the most irrational aspect of atheism.

There are no magic words to break through to such people, but my hope is that by giving counter-examples to their misery, people who of their own choice embraced faith and found contentment and joy, they may look about themselves with new eyes.

Being a man of a certain age, I've got used to specific routines and comforts.  One of them is pizza on Friday.  It goes without saying the best pizza has pepperoni on it.

Add onto this my extreme dislike of fried fish, and Lent is rather bothersome to me. 

That's a good thing, because we only truly appreciate something when we are at risk of losing it.  I savor that pizza all the more knowing that I will have to go without it around this time next year.

The same is true of fasting in general.  In a society overrun with food, self-induced hunger is more important than ever.  In subsistence economies, fasting is often a necessity, but we're far removed from that.

These were not things I thought much about when I entered the Church years ago, but as I continue my exploration of Catholicism, they have moved from quirks to essential elements of the Christian experience.  The liturgical calendar has likewise moved from a sidebar to the secular one to by far the more important of the two.  Secular holidays are things that are imposed on me, and for the most part require no real effort to observe.  Religious holidays seem to me far more important, and the fact that I often have to use vacation time enhances their value.

In his Sword of Honour trilogy, Evelyn Waugh makes heavy use of the liturgical calendar, often using it as the reference to time rather than the usual month and day.  This was the first time I considered the full import and meaning of feast days, Ordinary Time and the so on.

An additional element in my appreciation is the fact that I am finally getting serious about gardening.  Hitherto I simply cleared some ground, read the instructions on the seeds, and hoped for the best.  This is the first time I bothered to do research, prepare a plan and move forward in a deliberate manner.

And while I have a constant eye on the weather, I'm also noting the interaction with the spiritual calendar and the living world around it.

On Good Friday I received an email informing that my military retirement application had finally been accepted.

I submitted it in October.

Since then it was rejected twice, but third time's the charm, right?  In any event, while I've been savoring my newfound freedom from grooming regulations (and I have the beard and long hair to prove it!), I've not yet been able to fully utilize all the extra time.  This was because there's simply not that much to do during the winter months - particularly when they were so erratic in terms of weather.  I have a pair of cross-country skis, but the snow would dump and then melt, or we'd get ice rather than snow. 

But now spring has sprung, and my yard beckons.  Yesterday I spent several hours toiling away in my latest attempt at a vegetable garden.  I got a lot accomplished, but there is still much to do before I can begin planting.  I have had gardens before with varying success at this house, but this will be my most serious effort to day.  For example, I did actual research on what to grow and developed a plan for the garden, its fencing and other countermeasures to protect my plants. 

This is in stark contrast with my usual approach of reading the seed packet and hoping for the best.

So this year will be similar to other years, but also different.  Some years ago I heard a homily the centered on that idea.  As we get older, we've experienced the holidays (indeed the entire liturgical calendar) many times over.  We've done Christmas.  We've done Easter.  They are arguably the same event, year after year.

But we are not the same, and that's part of the mystery that surrounds them.  Easter as a child is different than Easter as a teenager, or an adult, or a parent, or a grandparent.  Just as every growing year is different, so is each year of our life.  The events of last Easter shape my perception of this Easter, adding a richness and depth to it.  I'm sure next Easter will likewise have a much different about it.

That's why it is so important that we take time to savor these moments and reflect on them.  One of my recurring themes on this site (and in my commentary elsewhere) is that we can only write about what we know.  If we shut ourselves off from God, from life, we stagnate and experience a form of early death.  We become incapable of telling stories because all we know are stories filtered to us through others.  All that remains are tropes and checking off political boxes.  It's basically painting by number.

It is no accident that writers like J.R.R. Tolkien and G.K. Chesterton emphasize the dull uniformity of evil.  Evelyn Waugh also disparaged unthinking uniformity as a sign of moral sickness.

Some might find it fully that a bunch of Catholics would highlight individuality given the confines of the Church's worship practices, but they understood that withing those bounds, there is an intense amount of variety.  Again, the Eucharist is offered at every Mass, but we are not the same.  It's not the outward form, but the inner transformation that matters.

Happy Easter!

My recent perusal of Hunter S. Thompson's Hell's Angels brings out another critique of post-war America, which is the erosion of religion in public life.

Today much of this blame falls on the Baby Boomers, but Thompson himself was born in 1937, and I think much of the loss of faith can be blamed on the unprecedented prosperity in America following World War II.

A general historical principle is that affluence and prosperity breed decadence and depravity.  Being afflicted by the mortal sin of pride, humans naturally turn from the divine and attribute their success to their own cleverness and intellect.  Only fools still follow the old ways, which limit both human imagination and the scope of available pleasure.

The Old Testament is chock full of examples, and records of other peoples in different cultures confirm the same tendency.  Contemporary accounts of prosperous reigns almost always include a lamentation that the gods and their morals are being neglected.

It this was true of the US, but with two key additions.  The first was the sheer scale of wealth, which gave common people a quality of life beyond the reach of the super-rich as recently as a half-century ago.  While the Robber Barons of the gilded age might have had a luxurious estate and gold utensils, they didn't have x-rays, antibiotics or radios.  To evade the heat, they had to retreat to an estate on the lake or in the foothills, but by the 60s and 70s, air condition was something middle class people had.

The second was the pervasive influence of the Puritan founding.  Though their religious practice is all but forgotten, their beliefs regarding individual success and failure endure.  Put simply, people who are doing well are seen as morally superior to those who have failed.  Whereas this was once seen as a sign that they were among God's Elect, it has increasingly been folded into the secular concept of the "meritocracy," the notion that the best and brightest should be accorded more prestige and therefore power.

This no doubt fueled Thompson's hatred of the middle class, since he keenly felt the stigma of not achieving conventional measures of success.

He also detested what he considered their primitive and dull-witted adherence to the old moral codes.  His writing (and that of his contemporaries) generally sneers at organized religions.  In this telling, religious people are either hypocrites (and often running a racket) or simply too stupid to sin. 

Thompson himself is something of an aesthete - sampling drugs like rare vintages of wine.  It's interesting that he regarded the Kentucky Derby as "decadent and depraved" but felt much more at home among the Hell's Angels or various hippie communes.

The problem with society wasn't immorality, but morality itself.  If people would just back off, stop judging and enjoy life, everything would work out fine.   It was the stuffed shirts who ruined everything.  This is the ethos of Caddyshack.

That's all when and good when one is young and carefree, but it ultimately doesn't satisfy the soul.  The significance of The Big Chill was that it was the first warning to the Boomers that the party would eventually end.

At that point, it was the rubes who went to church who were having the last laugh while the materialists frantically try various cosmetic and health procedures to preserve their youth.

I've written about Carly Simon's semi-conversion, but John Voight's change is even more profound and striking.  In the 1970, he was making edgy fare like Midnight Cowboy and Coming Home, but he's now offering public prayers for the salvation of the nation. 

There's a hint of Evelyn Waugh about that, and one of the great might-have-beens is if Thompson had a similar conversion.  Alas, he shut himself completely off from God.  Even his funeral was a mockery of religious observance.

Ultimately, that's where materialism leads.  At some point the drugs no longer produce the same highs, one's possessions seem old and tawdry and the end of football season looms (Thompson's suicide note actually cited this as part of his depression).  At that point, the god of the two-car garage falls silent.

Not quite two years ago I addressed what some people call the Problem of Evil and used the example of how children will defy even the most loving and caring parents.

For those not up to speed on Christian apologetics, the Problem of Evil is also phrased as "why does God allow bad things to happen?"

I stand by my earlier answer, but in the time since I gave it, I've come to see things differently.  To me the question is rather "How do good things happen at all?"

I mean, the notion that life should be free of harm, danger or sorrow is completely divorced from reality.  Looking at the world around us and informed by history, the most logical expectation of life is that it should be (to quote Hobbes) "nasty, brutish and short."

And it often is.  Interestingly, in such societies expectations of comfort and leisure are few and fleeting.  I think our current notions of "evil" are largely informed by the unprecedented peace and prosperity Westerners have lived in for the past few generations.

Where I live, there is an assumption in the wider community that these things are the default setting for humanity, that they will happen organically, naturally, like flowers blooming in the spring.  When something disturbs their tranquility, they are indignant and demand that changes be made to ensure it never happens again.  I have a mental image of Karen demanding to speak with God's manager.

One of the keys to happiness (and avoiding disappointment) is aligning expectations with realistic outcomes.  In truth, there is no bottom, no guaranteed level of comfort for any of us.  The only guarantee in life is that it ends in death.  People who have endured great hardship over a space of years get this. 

Every Vietnam POW I've talked to (and I've talked to quite a few as guest speakers during my military career) has an incredible grateful and optimistic demeanor.  They cherish every sunrise and sunset.  No sensation is wasted, from a warm shower to clean sheets on their feet.  After each presentation I have remarked that while I envy their joy, I'm not sure I want to spend years at the Hanoi Hilton to get it.

That's because it's hard to not to take nice things for granted when it is all you have known.  While I am thankful for nice things, I have come to also be thankful for hardships that make me appreciate them more. 

All of which is to say that one of the proofs of God is the presence of goodness and joy in the world.  Logically, it serves no purpose.  Fear and oppression are far more efficient and frankly pleasing to most people.  Absent some sort of moral scruple, most people won't think twice about stealing or hurting someone.  It is only through religion (specifically, Christianity) that we develop a sense that this is wrong.

Much of Western society still has a residual sense of Christian morality, but that is now fading, and we're seeing the results.  Appeals to decency are now pointless, and it has even gone so far that some people respond to expressions of sympathy and offers of prayer with rage and profanity.

These are people who are perilously close to the "I would lie, cheat, steal or kill if only I could get away with it" threshold, but that can't see it.

Indeed, here I must once again mention the Yard Sign Calvinists, who often play a leading role in both disparaging Christianity and wishing harm on those they deem outside of the Elect.

Evil can manifest in many ways, and J.R.R. Tolkien's work illustrates how the more pure of motives can lead one down a dark path.  G.K. Chesterton likewise gives countless illustrations of how the well-meaning and self-righteous become the devil's tools.  Much of Evelyn Waugh's satire focuses on this as well (particularly in Black Mischief).

Thus, I'm not saying anything particularly new or unique, and I freely admit that the Lord of Spirits podcast has contributed to my understanding of evil.

When bad things happen, it is important that we retain this perspective.  God knows our suffering, and we should always strive to learn from it.  It is possible to make something good out of a terrible event - as the Vietnam POWs I mentioned above have done.

Indeed, I think that is something most pleasing to God and perhaps why people who have achieved it seem so content.

In may last post I (jokingly?) referred to malign spirits of technology glitches, but over the last few years I've come to accept that there's more spiritual activity in this world than we acknowledge.

While I have to give the obligatory nod to the Lord of Spirits podcast, this view predated my wife's discovery of them, and it also made me very receptive of their message.

Timing is important in these sorts of things.  What might have seemed stupid then may make perfect sense now.  Given my upbringing, which was very skeptical of miracles and hostile to organized religion, I could only accept these truths gradually.

As the podcast points out, there are singular spirits, but also collective ones - the "spirit of the age" as it were (literally Zeitgeist in German).  There are also crowd spirits, and we see this in things like football games or various rallies.  How many times has "the mood turned sour" and a reasonably calm crowd suddenly become overcome by madness - a change that even the participants found hard to explain?

I'm sure some of you are immediately thinking of psychological conclusions (certainly I am), but what if psychology itself is an attempt to find a material expression for a spiritual event?  The grand experiment in secular psychology is about a century old and the results are pretty awful.  We pump people full of drugs, tell them to play with crayons and they still kill themselves.

Indeed, now our "medical professionals" are urging assisted suicide as a solution to chronic depression!

To me, it is increasingly obvious that the problem is a separation from God and any sense of meaning in life.  If you're just a bony juice bag waiting to get the whole thing over with, fast-forwarding to the ending makes sense.  Obviously, folks like G.K. Chesterton, Evelyn Waugh, J.R.R. Tolkien and C.S. Lewis pointed all this out decades ago.  If you aren't reading them, you should be.

In addition to the spirits of crowds, I think there are also spirits of events, and that's where Christmas comes in.  One of the Enemy's greatest victories was turning the Feast of the Nativity of Our Lord into a celebration of materialism.  I hate "holiday displays" that center on wrapped gifts - as if that's the reason for the season. 

Growing up as I did, the culmination of Christmas was Christmas Day, but traditionally that is the beginning, not the end.  As the song says, there's 12 days of Christmas, and the decorations should stay up and the music should still play because the event isn't just about tearing away wrapping paper on the morning of the 25th.

I am pleased to say that (at least in the circles I move in), this view is becoming more common. 

Partly because our kids are grown, the gift-giving element has become merely symbolic in our household.  I'm hoping to do what I can to ensure our grandkids also look at the season as a time for some presents, but that it should in now way be a lavish attempt to either show off prosperity, or a belated attempt to buy affection.  I know kids who grew up with that, and it hasn't worked out well for them.

Despite what was in many ways an unhappy childhood, I've always had a warm spot for Christmas because I associate it with joy and happiness.  Christmas Day to me has been marked with family gatherings, old friends dropping in and a sense of overall well-being.  I hope your Christmas is possess by the same benevolent spirit that has touched mine.

I'm continuing to knock out old shows I missed in my youth, and for the past week I've been binging on Danger UXB, a British production about a bomb-disposal squad during World War II.

The main character, Lt. Brian Ash is brilliantly played by Anthony Andrews, whose career was at its zenith during this period.  Andrews of course played Sebastian Flyte in the immortal TV version of Brideshead Revisited, which is arguably the best adaptation ever filmed.

Many of the same actors are present in Danger UXB, and because it has only 13 episodes, every single one of them is extremely tense because at any point someone can (and often does) get blown up.

In lesser hands, that would be a cheap gimmick, and certainly the likes of HBO's Game of Thrones writing room would make a hash of it, however, Danger UXB is very well done.  I'm looking forward to watch it again, this time savoring the character development and tension.

To me, that is the true test of a story, whether book for film - that you enjoy it so much that even with the spoilers you love watching it again.

As an aside, I think it's interesting how many shows I'm discovering at this stage in life.  I remember seeing Danger UXB in the TV books of the time, and passing over it because it sounded weird.  Obviously, my time to see was not yet come.

I may have to add a "Conrad" tag, because along with J.R.R. Tolkien and Evelyn Waugh, I really enjoy the writings of Joseph Conrad.

It started in high school, blossomed in college and then mostly slept through adulthood.

Recently, I obtained a copy of Almayer's Folly, his first novel.  It is superb.  In fact, I would argue that it has been unjustly overlooked.  As a story, it keeps you guessing, and the description and prose is outstanding.

Yet for some strange reason, his later work has eclipsed it.  Everyone wants to fixate on Heart of Darkness and Lord Jim.  Both books are good, but so is Almayer's Folly.

One of the areas where it stands out is in its representation of female characters.  Conrad typically does not have a lot of women in his stories - which is understandable, because so many of them take place at sea.  This particular work, however, delves into the female psyche, and a friend tells me that the book is seeing a revival in feminist circles because it not only has strong women, but strong non-white women, which is for some reason important right now.

The last time I checked, most women in the world weren't white, but most of the ones that speak English are, which would seem (to me, at least) to explain the discrepancy.

In any event, it's a good read, full of vivid description and exactly the kind of book I needed to take a break from the craziness of the world.